The Saint Louis Watercolor Society is pleased to offer a workshop by Ted Nuttall,
Monday, April 9 through Friday, April 13, 2018, 9 a.m. to 3 p.m., at the Maria Center on the campus of Notre Dame High School, 336 East Ripa Avenue, Saint Louis, MO 63125.
Fee: $500 for members, $535 for non-members.
This will be a five day watercolor workshop for all skill levels. Ted Nuttall’s workshop is designed to give you the tools and techniques, as well as the confidence and the inspiration, to enjoy painting people. The class also dispels the myth that a good figure painting cannot be done from a photograph. Nuttall will discuss the benefits of photographic reference, as well as how to edit, interpret and compose from a photo to give life and energy to the subject. There will be lectures, daily demonstrations, and plenty of one-on-one instruction, designed to help you find new enthusiasm for painting people in watercolor. Ted Nuttall will be the juror for the Society’s annual exhibit.
Excerpts from Ted Nuttall’s website: http://www.tednuttall.com
A graduate of Colorado Institute of Art, Ted Nuttall is a figurative artist whose painting expression was born out of his observation of people. Ted is a signature member of the American Watercolor Society, National Watercolor Society, Watercolor West, Western Federation of Watercolor Societies, and enjoys Master Status with the Transparent Watercolor Society of America.
Ted’s paintings continue to win awards in juried exhibitions throughout the country. His work has been featured in numerous national and international art publications. Most recently, he was a featured artist in both the 2014 Russian publication “Masters of Watercolor” and in the 2013 French publication “Pratique Des Arts”. Ted was the featured cover artist for the February 2014 issue of Watercolor Artist magazine. Ted’s work has been published in North Light Books’, Splash 8 and Splash 10, and his painting “Whispering Smith” appeared on the cover of Splash 12.
For as long as I can remember, I have been a fascinated spectator of human behavior – the quintessential people watcher. I naturally seek the unique character in everyone I encounter. Often, as I observe someone in his or her everyday environment, I am rewarded with a moment when a gesture or expression combine with the play of light and shadow. A contemplative smile, hands cradling a book or carefully tying a shoe, a shadow cast by a pair of wire-rimmed glasses – and there occurs a pivotal instant when a story appears.
My paintings are an attempt to compose and thoughtfully record the nuances that transfixed these moments, these stories, in my mind.
Matisse expresses the notion superbly:
“I do not literally paint that table, but the emotion it produces upon me.”